Julia Fischer 在小提琴的造詣，除了聽得出來有很扎實的訓練過程，我自己特別喜歡的原因是「真摯」吧，許多小提琴家有很動人的演奏技巧表演形式，但能夠讓我感動的或許只是一種........最簡單的心靈共鳴。
| 網路上找了一些唱片公司的介紹，很喜歡她詮釋音樂的樣子，總之: "感覺"很重要。 音樂史上鮮少可同時以小提琴家與鋼琴家雙重身份，於同一場演奏會上演出兩首協奏曲的音樂家。以往有關小提琴家費雪的鋼琴造詣極佳的訊息時有所聞，樂迷們卻始終無從驗證，但在這場2008年於德國舉行的新年音樂會中，她先後演奏了聖桑的第三號小提琴協奏曲和葛利格的鋼琴協奏曲，精彩的演出，充分證實自己在這兩項樂器上的傑出造詣。  這份錄影便是收錄自2008新年音樂會的現場，也由於是現場演出，不可能經過剪輯修正錯誤，費雪在鋼琴上的出色表現，確實令人印象深刻。這場在德國法蘭克福老歌劇院的演出，讓世人見識了費雪在小提琴以外的音樂才華，現場的觀眾無不讚嘆。她於2010年同時發行了帕格尼尼二十四首小提琴奇想曲錄音，是史上少數挑戰這套艱難曲目的女性小提琴家，就連慕特、韓黛兒、莫莉妮等世界級名家也都瞠乎其後。而在這之前，她更已灌錄過巴哈的無伴奏組曲和奏鳴曲，以及柴可夫斯基與布拉姆斯的小提琴協奏曲。才二十七歲，便已經是法蘭克福音樂院的小提琴教授，這樣一位傳奇人物的藝術，當然值得仔細品味一番。 |
| 曲目順序 1 Opening titles • Générique • Vorspann CAMILLE SAINT-SAËNS (1835–1921) Violin Concerto no. 3 in B minor, op. 61 si mineur • h-Moll 2 I Allegro non troppo 3 II Andantino quasi allegretto 4 III Molto moderato e maestoso – Allegro non troppo EDVARD GRIEG (1843–1907) Piano Concerto in A minor, op. 16 la mineur • a-Moll 5 I Allegro molto moderato 6 II Adagio – 7 III Allegro moderato molto e marcato – Quasi presto – Andante maestoso 8 Closing credits • Générique • Nachspann BONUS Julia Fischer – Two Musical Worlds Interview with Julia Fischer 1 Ich hab zuerst beide Instrumente gleich intensiv gemacht (I was equally proficient on both instruments) 2 Prinzipiell ist es sehr, sehr schwierig (It’s basically very difficult for me) 3 Natürlich ist es so, wenn ich Klavier spiele (Whenever I play the piano) 4 Ich bin nicht jemand, der sehr schnell aufgeregt ist (I don’t easily get worked up) 5 Jeder Musiker, den ich kenne, glaubt an irgend etwas (Every musician I know believes in something) 6 Julia Fischer möchte, dass Musik eine Bereicherung fürs Leben ist (Julia Fischer would like music to enrich our lives) 7 Der Starnberger See bei München (Lake Starnberg near Munich) Production Engineer: Ralf Happel Recording Engineer: Christian Feldgen Assistant Engineers: Julia Havenstein, Michael Nitschke Sound Editing : Caroline Siegers Sound Mix & Audio Producer: Peter Hecker TECHNICAL SPECIFICATIONS: Menus: English • Picture Format: 16:9 Anamorphic Widescreen Region Code: 0 (worldwide) • DVD Format: NTSC Duration: 62 mins (concert); 35 mins (interview) Sound: 1 LPCM Stereo • 2 DTS 5.1 Surround (concert) Subtitles: English, French, Spanish, Chinese (interview) |
German violinist Julia Fischer is recognized worldwide for possessing a talent of uncommon ability and as an exceptionally gifted artist, reflected in the numerous awards and effusive reviews she has received for both her live performances and recordings, including being named “Artist of the Year” at The Gramophone Awards in 2007 and “Instrumentalist of the Year” at the 2009 MIDEM Classical Awards.
The season 2012-13 marks Julia Fischer tenure as Artist in Residence at Konzerthaus Berlin: under the baton of the orchestra's new Chief Conductor Ivan Fischer, she opens the orchestra's season with Brahms' Double Concerto alongside cellist and long-time collaborator DMS. Further concerts with the orchestra, chamber music concerts and a recital follow throughout the season. The finale of her residency is marked by an appearance with the Julia Fischer Quartet in June 2013. The Quartet was founded by Ms. Fischer in the 2011-12 season and garnered ecstatic acclaim from public and critics alike for Ms. Fischer, violinist Alexander Sitkovetsky, violist Nils Mönkemeyer and cellist Benjamin Nyffenegger. Futures season will see the Quartet touring through Europe, debut appearances are scheduled amongst others at the Prague Spring Festival, Wigmore Hall and Philharmonie Luxembourg.
In spring Julia Fischer will embark on a tour with the Tonhalle Orchestra Zurich with David Zinman in Germany. The latter will coincide with Decca's release of the 2012 recording of Bruch's Violin Concerto No. 1 and Dvorak's Violin Concerto with Mo. Zinman conducting the Tonhalle Orchestra Zurich. A highlight of Ms. Fischer's 2012-13 season will be her debut with the Vienna Philharmonic Orchestra with both, the Beethoven and Salonen Violin Concerto under the baton of Esa Pekka Salonen in April 2013. In early summer2013 three performances will see Julia Fischer performing Bach, Ysaÿe and Hindemith in solo recitals at Frankfurt, Berlin and Munich.
In April 2011, Decca released Ms. Fischer’s latest recording ‘Poème’ featuring Chausson's Poème, Respighi's Poema Autunnale, Suk's Fantasy in G minor and Vaughan Williams's The Lark Ascending to great critical acclaim. This highly poignant album is also the last recording of the late Yakov Kreizberg – a close collaborator of Ms. Fischer for years – conducting the Orchestre Philharmonique de Monte Carlo. The recording was featured on the quaterly “Bestenliste” of the prestigious Preis der Deutschen Schallplattenkritik.
This recording was preceded by the fall 2010 release of Paganini’s 24 Caprices and her 2009 recording for Decca of Bach violin concertos with the Academy of St. Martin in the Fields. Upon its U.S. release the recording became the fastest-selling classical music debut in iTunes history. Previous recordings were released on the PentaTone label. Her debut CD, a recording of Russian Violin Concertos by Khatchaturian, Prokofiev and Glazunov with the Russian National Orchestra under Yakov Kreizberg, won Germany’s coveted ECHO Award in 2005. Ms. Fischer recorded Bach’s Sonatas and Partitas for Solo Violin in 2005 and this recording earned worldwide critical praise including the rare distinction of winning three of France’s most prestigious awards: the Diapason d’Or from Diapason; the CHOC from Le Monde de la Musique; and the highest rating from Classica Repertoire. The Bach recording also saw her awarded the BBC Music Magazine Award as “Best Newcomer” in 2006.
In 2007, her Tchaikovsky Violin Concerto recording saw her awarded the ECHO award for “Instrumentalist of the Year”.
Born in Munich in 1983, Ms. Fischer began learning the violin at age three and soon thereafter started taking piano lessons. She became a pupil of Ana Chumachenco at the Munich Academy of Music and at just 11-years-old won the Yehudi Menuhin International Violin Competition, an event that catapulted her towards a career as a soloist. Throughout her career, Ms. Fischer has always maintained her piano studies. On January 1st, 2008 she made her professional piano debut at the Alte Oper Frankfurt performing the Grieg Piano Concerto with the Junge Deutsche Philharmonie and conductor Matthias Pintscher. On the same program, she performed the Saint-Saëns Violin Concerto No. 3. A DVD of this concert, recorded by Unitel Classica, was released by Decca in September 2010.
The season 2012-13 marks Julia Fischer tenure as Artist in Residence at Konzerthaus Berlin: under the baton of the orchestra's new Chief Conductor Ivan Fischer, she opens the orchestra's season with Brahms' Double Concerto alongside cellist and long-time collaborator DMS. Further concerts with the orchestra, chamber music concerts and a recital follow throughout the season. The finale of her residency is marked by an appearance with the Julia Fischer Quartet in June 2013. The Quartet was founded by Ms. Fischer in the 2011-12 season and garnered ecstatic acclaim from public and critics alike for Ms. Fischer, violinist Alexander Sitkovetsky, violist Nils Mönkemeyer and cellist Benjamin Nyffenegger. Futures season will see the Quartet touring through Europe, debut appearances are scheduled amongst others at the Prague Spring Festival, Wigmore Hall and Philharmonie Luxembourg.
In spring Julia Fischer will embark on a tour with the Tonhalle Orchestra Zurich with David Zinman in Germany. The latter will coincide with Decca's release of the 2012 recording of Bruch's Violin Concerto No. 1 and Dvorak's Violin Concerto with Mo. Zinman conducting the Tonhalle Orchestra Zurich. A highlight of Ms. Fischer's 2012-13 season will be her debut with the Vienna Philharmonic Orchestra with both, the Beethoven and Salonen Violin Concerto under the baton of Esa Pekka Salonen in April 2013. In early summer2013 three performances will see Julia Fischer performing Bach, Ysaÿe and Hindemith in solo recitals at Frankfurt, Berlin and Munich.
In April 2011, Decca released Ms. Fischer’s latest recording ‘Poème’ featuring Chausson's Poème, Respighi's Poema Autunnale, Suk's Fantasy in G minor and Vaughan Williams's The Lark Ascending to great critical acclaim. This highly poignant album is also the last recording of the late Yakov Kreizberg – a close collaborator of Ms. Fischer for years – conducting the Orchestre Philharmonique de Monte Carlo. The recording was featured on the quaterly “Bestenliste” of the prestigious Preis der Deutschen Schallplattenkritik.
This recording was preceded by the fall 2010 release of Paganini’s 24 Caprices and her 2009 recording for Decca of Bach violin concertos with the Academy of St. Martin in the Fields. Upon its U.S. release the recording became the fastest-selling classical music debut in iTunes history. Previous recordings were released on the PentaTone label. Her debut CD, a recording of Russian Violin Concertos by Khatchaturian, Prokofiev and Glazunov with the Russian National Orchestra under Yakov Kreizberg, won Germany’s coveted ECHO Award in 2005. Ms. Fischer recorded Bach’s Sonatas and Partitas for Solo Violin in 2005 and this recording earned worldwide critical praise including the rare distinction of winning three of France’s most prestigious awards: the Diapason d’Or from Diapason; the CHOC from Le Monde de la Musique; and the highest rating from Classica Repertoire. The Bach recording also saw her awarded the BBC Music Magazine Award as “Best Newcomer” in 2006.
In 2007, her Tchaikovsky Violin Concerto recording saw her awarded the ECHO award for “Instrumentalist of the Year”.
Born in Munich in 1983, Ms. Fischer began learning the violin at age three and soon thereafter started taking piano lessons. She became a pupil of Ana Chumachenco at the Munich Academy of Music and at just 11-years-old won the Yehudi Menuhin International Violin Competition, an event that catapulted her towards a career as a soloist. Throughout her career, Ms. Fischer has always maintained her piano studies. On January 1st, 2008 she made her professional piano debut at the Alte Oper Frankfurt performing the Grieg Piano Concerto with the Junge Deutsche Philharmonie and conductor Matthias Pintscher. On the same program, she performed the Saint-Saëns Violin Concerto No. 3. A DVD of this concert, recorded by Unitel Classica, was released by Decca in September 2010.
Date Last Edited: February 2013
1983年出生於慕尼黑的德國女小提琴家茱莉亞‧費雪，父親是來自東德的數學家，母親則是來自斯洛伐克的德國人。費雪四歲不到就開始學小提琴，之後也跟母親學鋼琴。她先在奧格斯堡Augsburg的雷歐波德‧莫札特音樂院接受正式音樂教育，九歲獲准進入慕尼黑音樂院在教授Ana Chumachenco門下學琴。費雪於青少年時期曾參加過多次小提琴和鋼琴的音樂比賽，較受人矚目的就是1995年的「國際曼紐因音樂大賽」，她以十二歲之齡拿下青少年組第一名，同時獲頒最佳「巴哈獨奏作品」演奏特別獎，在接下來五年的各個比賽中她更是屢獲佳績，之後她的足跡遍佈歐洲各地，和她合作的指揮與樂團也相當多。2003年他在大師馬捷爾帶領巴伐利亞廣播之下在卡內基首度登台，更獲得全場起立致意的最高榮耀，此外，她也是英國「留聲機雜誌」2007年的年度最佳藝人。2004年她在PentaTone Classics公司旗下錄製了首張個人專輯「俄羅斯協奏曲」輯，到2010年為止，她在PentaTone Classics公司已經有十張錄音發行，曲目包括巴哈、莫札特、孟德爾頌、舒伯特、布拉姆斯和柴可夫斯基等作曲家的作品。這張巴哈無伴奏小提琴是繼「俄羅斯協奏曲」之後，費雪在PentaTone Classics的第二章錄音，費雪曾經表示她生平最想錄製的曲目排名第一的就是巴哈，她從九歲到十四歲不時地練習巴哈無伴奏小提琴奏鳴曲和組曲，到目前巴哈仍然是她每天必練的曲目之一，她於22歲所錄製的這套巴哈無伴奏，雖然從小就景仰鋼琴怪傑顧爾德，但是她的巴哈則是在完美的技巧與優美的旋律中，謹守分際地如同和自己竊竊私語般，展現她的高貴和清純的琴韻，讓人耳目一新，更何況，要找到如此超級優美的獨奏小提琴錄音，可遇不可求！
茱莉亞‧費雪在PentaTone Classics其他錄音(SACD)：
PTC 5186 059 哈察督量、普羅柯菲夫、葛拉茲諾夫協奏曲
PTC 5186 064 莫札特：第三、四號小提琴協奏曲
為小提琴與管弦樂的慢板K.261
為小提琴與管弦樂的輪旋曲K.269
PTC 5186 066 布拉姆斯：小提琴協奏曲、雙重協奏曲
PTC 5186 085 孟德爾頌：第一、二號鋼琴三重奏
PTC 5186 094 莫札特：第一、二、五號小提琴協奏曲
PTC 5186 095 柴可夫斯基：D大調小提琴協奏曲Op.35、詼諧圓舞曲Op.34
憂鬱小夜曲Op.26、懷念土地的回憶Op.42
PTC 5186 098 莫札特：為小提琴與中提琴的交響協奏曲K.364
為小提琴與管弦樂的輪旋曲K.373
雙小提琴協奏曲K.190
PTC 5186 347 舒伯特：小提琴與鋼琴作品 1
PTC 5186 348 舒伯特：小提琴與鋼琴作品 2
PTC 5186 064 莫札特：第三、四號小提琴協奏曲
為小提琴與管弦樂的慢板K.261
為小提琴與管弦樂的輪旋曲K.269
PTC 5186 066 布拉姆斯：小提琴協奏曲、雙重協奏曲
PTC 5186 085 孟德爾頌：第一、二號鋼琴三重奏
PTC 5186 094 莫札特：第一、二、五號小提琴協奏曲
PTC 5186 095 柴可夫斯基：D大調小提琴協奏曲Op.35、詼諧圓舞曲Op.34
憂鬱小夜曲Op.26、懷念土地的回憶Op.42
PTC 5186 098 莫札特：為小提琴與中提琴的交響協奏曲K.364
為小提琴與管弦樂的輪旋曲K.373
雙小提琴協奏曲K.190
PTC 5186 347 舒伯特：小提琴與鋼琴作品 1
PTC 5186 348 舒伯特：小提琴與鋼琴作品 2
「四季」(Le quattro stagioni) 是義大利作曲家安東尼奧．韋瓦第 Antonio Lucio Vivaldi (1678－1741) 譜作的四首小提琴協奏曲。他大半的時間都待在威尼斯，其中有50年的時候他都在擔任一個孤兒院的神父，韋瓦第譜寫多得無法計算的協奏曲，其種類也很多。有小提琴協奏曲、大提琴協奏曲、雙簧管協奏曲、長笛協奏曲、低音管協奏曲、短笛協奏曲、雙協奏曲、合奏協奏曲等不勝枚舉。除此之外，還有幾十部的舞台作品(包括神劇與歌劇)，以及許多宗教音樂。而「四季」非但是代表韋瓦第的作品，在古典音樂中也是特別有名而受人歡迎的音樂。「春」「夏」「秋」「冬」四首協奏曲都由「快 ─ 慢 ─ 快」三個樂章形成，平易近人，並各具個性。
我個人最喜歡「冬」
音樂描寫在人們在凜冽的寒風中、在沁冷的冰雪裡不住發抖，靠著來回跺步來保持體溫，但牙齒仍不住地打顫，最後在滂沱大雨中，坐在火爐旁度過安靜而美好的時光。」在這裡出現的旋律，或許是整首「四季」中最動人的一段。獨奏小提琴在合奏伴奏上，朗朗唱出平靜而溫柔的美麗旋律，樂章靜靜結束後，直接連續到下一樂章。
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